A woman has a baby out of wedlock. The father does not take responsibility, so she leaves the child in a car she thinks is owned by a rich family. Unfortunately, the car was used by thieves, who ditch the baby in an alley. A tramp (Charles Chaplin) finds the baby and raises him as his own.
This is an excellent early example of Chaplin's mastery of visual storytelling, but also an amazing example how a six year old can carry a film. Child Star (and troubled middle-ager) Jackie Coogan steals the show, not just with his cuteness but his stage presence as well. This is no precocious child mugging for the camera. He really seems as if he understood acting.
Coogan would marry Betty Grable (first in a string), have his career falter, do a lot of television, and end up being uncle Fester on The Addams Family. He would die at the ripe old age of Bowie-Rickman years old. He also starred in the wonderfully terrible Mesa of Lost Women. I'll have to remember it next time I'm in the move for schlock.
Baby-Momma was played by Edna Purviance, a frequent co-star and sometimes lover of Chaplin. They may have been happy together had Charlie not kept getting teenage girls pregnant. This time with other co-star Lita Grey, credited as "Flirtatious Angel". Lita would be his second pregnant teen wife. Side note: Chaplin's forth and final wife would be born four years after this films release.
Chaplin had already built a reputation as a quality filmmaker, but The Kid may be his first masterpiece. Short for a feature film, it showed what he could do with time and resources. It, like The General, is a good starter film for people reluctant to try silent movies. It is an impressive and enjoyable film. AMRU 4.
Showing posts with label 1921. Show all posts
Showing posts with label 1921. Show all posts
Friday, January 15, 2016
Monday, October 27, 2014
The Phantom Carriage (1921)
A young Salvation Army worker is dying on New Year's eve and requests to see the first man to visit the shelter. That man lies drunk in a graveyard. He tells his drinking buddies that whomever dies at the stroke of midnight is fated to drive Death's carriage to collect the souls of the departed. When he is killed in a fight, the carriage arrives and David Holm is then shown the wickedness of his ways.
Slightly Christmas Carol in theme, and very temperance in tone, The Phantom Carriage is a landmark of early Swedish cinema, and of the horror genre. The special effects (mostly double exposure to show the translucent carriage) was groundbreaking for the day.
The story is not easily summed up and the storytelling is quite nonlinear. But the meaning of the glances and the sequence of events is never in doubt. Director Victor Sjostrom was wonderful in the lead role. Ingmar Bergman was strongly influenced by the film, and I'm sure it's no coincidence that Victor appeared in Bergman's Wild Strawberries (1957).
There is much to say about this film, but I hate to stray too far from the irreverent. Apparently a homeless shelter in Sweden is called a "Slumstation", and "The End" is written as "Slut". Insert Bevis style giggling here. The Phantom Carriage transcends such nonsense, but sometimes I can't help myself.
An excellent film that isn't diminished by silent cinema, but I do recommend finding a copy with a good score. Great atmosphere, excellent acting, and a rewarding viewing experience. AMRU 4.
Slightly Christmas Carol in theme, and very temperance in tone, The Phantom Carriage is a landmark of early Swedish cinema, and of the horror genre. The special effects (mostly double exposure to show the translucent carriage) was groundbreaking for the day.
The story is not easily summed up and the storytelling is quite nonlinear. But the meaning of the glances and the sequence of events is never in doubt. Director Victor Sjostrom was wonderful in the lead role. Ingmar Bergman was strongly influenced by the film, and I'm sure it's no coincidence that Victor appeared in Bergman's Wild Strawberries (1957).
There is much to say about this film, but I hate to stray too far from the irreverent. Apparently a homeless shelter in Sweden is called a "Slumstation", and "The End" is written as "Slut". Insert Bevis style giggling here. The Phantom Carriage transcends such nonsense, but sometimes I can't help myself.
An excellent film that isn't diminished by silent cinema, but I do recommend finding a copy with a good score. Great atmosphere, excellent acting, and a rewarding viewing experience. AMRU 4.
"Captive, come forth from thy prison!"
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