Murder She Said (1961)

Jane Marple (Margaret Rutherford) witnesses a murder from her train window but the police find no evidence. So she poses as a domestic in a fancy manor house and does some investigating.

Joan Hickson plays a cook in a very small role, and would later go on to play Miss Marple for the BBC. I recently watched all of those episodes which includes a version of this story.

In the original story (4:50 from Paddington) and the Hickson BBC version the witness on the train, the investigating domestic, and Miss Marple are three different people. Combining them into one character is classic Hollywood and a reasonable cinematic decision, I think. The love interest part had to be removed for obvious reasons.

Murder She Said is the first of four Rutherford Marple films, and a box office success. Despite the lack of mystery, I rather enjoyed it. It’s a fairly complex story and the filmmakers did a good job of condensing it into a 90 minute runtime without watering it down. Rutherford's force of nature is a very different Marple than Hickson's accidental helper, and I’ll likely see more of them. AMRU 3.

Death on the Nile (1978)

An odd collection of people embark on a luxury cruise down the Nile river. Most have an antagonistic connection to the lovely Linnet Ridgeway. I hope she enjoys the cruise.

This follow-up production to Murder on the Orient Express swaps in Peter Ustinov for Albert Finney for the role of Hercule Poirot. Finney found the makeup uncomfortable and the train too hot, so filming in Egypt was out of the question. Ustinov went on to play the role five more times, three being in TV movies.

Like Orient Express, and the Kenneth Branagh versions, we have a star studded cast. David Niven, Bette Davis, Angela Lansbury, Maggie Smith, and Olivia Hussey are traveler suspects. Mia Farrow was delightfully hysterical. Davis was quoted as saying "In the older days, they'd have built the Nile for you. Nowadays, films have become travelogues, and actors stuntmen." I can’t help but hear that in her voice.

The wife an I seem to watch a lot of crime mysteries, and recently been going through the Miss Marple’s from the 1980s, so this fit in nicely. It's interesting that Marple is turned into TV shows and Poirot into feature films. Mostly. I'll keep an eye out for the Margaret Rutherford films.

Death on the Nile is an excellent mystery with fantastic performances. It's a bit long but well worth the time. It deserves a rewatch. AMRU 4.

"What the hell is going on?
We're going through your private papers, sir, isn't that obvious?"

Murder on the Orient Express (1974)

World Famous Detective Hercule Poirot (Albert Finney) takes The Orient Express back to London when a man is murdered in the night. He is urged to solve the mystery while the train is stuck in snow so that the Czech authorities don’t become involved. Hercule soon learns that many of the passengers in the train car had a connection to the deceased and maybe reason to do him harm.

Murder on the Orient Express has an amazing ensemble cast. Sean Connery was the biggest name at the time so they signed him up first. Everyone else followed along. Ingrid Bergman is almost unrecognizable as a nutty nanny. Anthony Perkins and Martin Balsam are together again for the third time, having done Psycho and Catch-22 together. No toilets were involved with this pairing. The older, unsexy Lauren Bacall makes her first appearance here. First appearance of Michael Redgrave’s daughter. Oddly, I am more familiar with her sister. Apparently I used to watch House Calls. One of these days I'll watch Blow Up.

I saw Murder on the Orient Express as a kid and remembered key elements. Like who done it. Still, this is a very well made, very entertaining film that was faithful enough to the source material to get the approval of Agatha’s herself. And it holds up to a second viewing, at least when thirty years separates the two. AMRU 4.

"Bianchi, Doctor, has it occurred to you that there are too many clues in this room?"

Witness for the Prosecution (1957)

A rich widow is dead and the dashing ne're-do-well Leonard Vole (Tyrone Power), who had been showing her a lot of attention lately, is accused of the murder. Sir Wilfrid Robarts (Charles Laughton), against the advice of his nursemaid (Elsa Lanchester, the Bride in Bride of Frankenstein and Laughton's real-life wife), takes Vole's case.

Like all Agatha Christie stories, there are many characters, details, and plot twists. Marlene Dietrich plays Power's none too helpful wife, some 12 years his senior (and looking every minute of it). Una O'Connor (the maid in Bride of Frankenstein) plays the maid, the last role of her life. Great performances, all.

I had never seen a Dietrich movie and I now understand what Madeline Kahn was doing in Blazing Saddles. I also never saw Tyrone Power before, who died at 44 the same year the movie was released. I'm curious to see more from them.

Through the film we learn more about Vole's relationship with the widow French (Norma Varden), and more about his relation ship with the Mrs. Vole. This movie was a pleasure. The complex plot kept me guessing and the dialog and acting were great. Definitely worth a second viewing. The AFI called it the 6th best courtroom drama and I give it an AMRU of 4.