Remember the Night (1940)

Shoplifter Lee (Barbara Stanwyck) is on trial and her attorney uses the classic Hypnotism defense. When the prosecuting attorney (Fred MacMurray) realizes the jury is eating that crap up, he calls for Expert Testimony, thus delaying the trial until after the holidays and turning the tables back in his favor. Feeling bad he caused her to spend the holidays in lockup, he arranges for her to be bailed out. Only his man downtown thought he wanted her bailed out and brought around to his place for some nudge, nudge, wink, wink, say no more. Only he didn’t. At all. I mean, he’s Fred F’ing MacMurray for god sakes!

As luck would have it he’s going home for the holidays, she wants to reconnect up with her loving mother, and would you know it, it’s on the way! So, off on a road trip these love-birds-to-be go. What adventures they will have!

Remember the Night is a charming romantic comedy. It makes a case for nurture over nature without beating you over the head. The two grew up in similar circumstances, but while one steals, the other is a successful lawyer. The difference is Love. Hold a sec, I have to get a tissue. There seems to be something in my eye …

MacMurray and Stanwyck are solid performers. Please watch Double Indemnity if you haven't. Stanwyck’s transformation from streetwise bad girl to sympathetic woman was handled very well. Even more interesting is how the motion picture code is at odds with the Hollywood ending. Now, if I could only figure out which Night we are supposed to Remember. AMRU 3.5.

“Now there's nothing as dangerous as a square shooter. If all men were like you there wouldn't be any nice girls left.”

The Egg and I (1947)

On her wedding night Betty (Claudette Colbert) discovers her urban professional husband (Fred MacMurray) has quit his job and bought a chicken farm. Adjusting to the rustic lifestyle is difficult and fraught with challenges.

This Fish Out Of Water story, based on but not closely resembling a memoir by Betty MacDonald, inspired a short lived TV series, ten Ma & Pa Kettle movies, and Green Acres which I watched in syndication. It is anecdotal in nature, moving from one minor catastrophe to another. The movie was a success but its real legacy are the Kettle’s, our Ozarkian noble savages.

Maybe you will recall Billy (big as a) House from Bedlam. Yea, I know, fat shaming. Here is plays an annoying travelling salesman. He was replaced in the Kettle films with Emory Parnell. Richard Long looked much younger than he would just two years later. You may remember him in Big Valley, or as the Professor in The Nanny And. He would die before reaching my great age.

Competently made, predictable comedy, and kinda boring. Not much else to say here. It didn’t hurt to watch and everything made sense (with the possible exception of the ending), but fairly unspectacular. My mom enjoyed the Kettle films in her youth but we both agreed that there were few laughs to be found here. AMRU 3.

The Apartment (1960)

A young insurance company worker C.C. Baxter (Jack Lemmon) loans out his humble apartment to executives for their romantic liaisons. When the director of human resources (Fred MacMurray) finds out, he wants in. C.C. gets ahead in life, but things become complicated.

This movie seems to be about people not knowing what they truly want. C.C. wants success but it doesn't make him happy. Fran the elevator girl (Shirley MacLaine) wants a married man, and that never ends well. Sheldrake wants it all, and see how that comes out. It's only when they realize what's really important that anything is resolved.

Writer/Director Billy Wilder, tired of working with demanding and unprofessional Marilyn Monroe, included a small part of a dumb blond with a baby-doll voice apparently as a dig at her. Fred MacMurray got grief from fans for this very non-family friendly roll. He would do only tripe from that moment on.

Amusing, clever, somewhat dark, absolutely charming, and very satisfying. Billy Wilder is fast becoming my favorite movie maker. Every film I've seen so far has been excellent. The Apartment was so well acted, so well written, and was Best Picture in what was an amazing year for Cinema. And Shirley MacLaine is adorable. AMRU 4.

"That's the way it crumbles... cookie-wise."

Follow Me, Boys! (1966)

Over the hill travelling musician (Fred MacMurray) feels he needs to give up his vagabond life and set roots. When the band makes a quick stop in a small town, he makes the impulsive decision to stay. In order to impress the hot bank employee (Vera Miles) he steals her idea to form a Boy Scout troop to keep the youth from mischief. In doing so, he becomes the town's first Scoutmaster.

What follows are various heartwarming stories about his trials and tribulations with the boys and in love. I woke refreshed two hours later.

I've been a scout leader for many years, and this is the first on a short list of feel-good Scout movies. It was high time I watched it. I encouraged my three sons (no smart cracks, people!) to watch it, as they too have logged many hours in the scout community. They opted to skip this one. Good move.

It was a little awkward watching the pushing 60 MacMurray woo the much younger Miles (still living). As the story moved forward in years, they didn't need to age his character much. The elderly town millionaire-with-a-heart-of-gold was played by Lillian Gish, fifteen years Fred's senior. She would outlive him by two.

Many of the vignettes seemed unnecessary. I thought we were still in 1932 when the troop has an amusing run-in with the US military on training maneuvers. With Scoutmaster Lem captured as a member of the enemy team, the boys are left to their own devices. Here is a good place to shorten the movie. I was crying anachronism what with all the high tech army gear, but apparently this segment was set in the 40's.

Side stories include Scoutmaster Lem's wooing of the Miles character, the troubled son of the town drunk (Kurt Russell), the land grab, the mountain climbing controversy, all culminating with a parade.

High Disney production, mildly amusing melodrama, too long (two hours thirteen). As a scout leader, I need to have seen it. So, therefore, AMRU 3, and mission accomplished. Not too painful, but it should have been shorter and 60's Disney family dramady isn't exactly in my wheelhouse. Nice to see Lillian Gish in a soundie.

"Young man, you are a popinjay."

Double Indemnity (1944)

Walter Neff (Fred MacMurray) pays a visit to a client who's car insurance is about to expire. The Mr. Dietrichson isn't home but Wally likes what he sees with the Mrs. (Barbara Stanwyck). Eventually the Mrs. floats the idea of life insurance, in case anything unfortunate happens to the Mr. Of course the Mr. mustn't ever found out he bought it. Well, Walter smells a rat. And he likes what he smells. Together they plan how the insurance gets bought and how accidents can happen.

The fly in the ointment is Walter's boss, the savvy Mr. Keyes (Edward G. Robinson). You see, he has a "little man" that tells him something is fishy. Apparently Keyes' "little man" is a bit smarter than Neff's.

Excellent acting, great dialog, engaging story, Double Indemnity earned it's reputation as a great film. IMdb ranks it 55th all time (currently) and in the genre of film-noir it's third. I put a rush on watching it because Starz was making a hasty exit from the land of netflix, and while I enjoyed the movie, I can't say I love it up to it's reputation. I'll give it a 4.

So, what's the buzz about the movie? Apparently director Billy Wilder and co-screenwriter Raymond Chandler hated each other. Wilder would later say he flaunted his "womanizing ability" to torment the closeted Chandler. Wilder also had Stanwyck wear an ugly blond wig to give her a cheap, fake look. Later a studio exec remarked "We hired Barbara Stanwyck, and here we get George Washington".

"How could I have known that murder could sometimes smell like honeysuckle?"