The Godfather: Part II

Part II continues where The Godfather left off. The Corleone crime family has moved to Las Vegas and Michael (Al Pacino) has to deal with problems, professional and personal. He is the target of a hit and must find out who was behind it. While this is going on, we learn the origin story of father Vito (Robert De Niro) in flashbacks. He comes to America as a boy and tries to be a good man by standing up to thugs and bullies.

It had been a couple years since I saw the original and it wouldn’t do to watch the sequel without rewatching it. The original completely holds up to a second viewing and the story makes more sense to me. What seemed like a series of events proved to be carefully connected. I would guess rewatching the sequel would have the same effect.

Like the original, Part II looks wonderful. The tone, the colors, the cinematography, the score were absolutely on point. I found the comparison between Vito as a young man to what Michael has become very interesting. When compared to the first, it is a worthy successor and a must watch. However, it does not quite have the same gravitas, and at almost a half hour longer, it dragged a bit.

I feel Vito’s backstory could have been separated out as its own 90 minute film. That would keep the principle story to around two hours. The problem with that is how well the two stories compliment each other. I thought the film’s structure was dictated by the book but apparently most of the screenplay is original.

Don’t think I’m saying that Part II not a great film in its own right. It is. But the first was more impactful, and the scenes and lines people remember are from it. This is a continuation of the same story, isn’t quite as compelling, and longer. It’s tough to be compared to IMDb’s number 2 film. AMRU 4.

The Godfather (1972)

Well, you see, there’s this family. And they are in business. No, not the Mafia. We don’t use the M word here. Let’s just say they take care of their friends and take care of their enemies. It doesn’t make sense for me to summarize the story as I was the last person on earth past 30 to have seen The Godfather. Goomba mobsters whacking each other? Didn’t interest me.

The Godfather takes place over many years, from the end of World War II into the 1950’s. It covers many events and does not have a consistent central character. It illustrates how characters change over time, and sometimes fail to change. It launched (or solidified) the careers of a great many actors like James Caan, Robert Duvall, Diane Keaton, Talia Shire, and of course Al Pacino. Even 50 year old and victim of 2016 Abe Vigoda. But mostly it turned director Francis Ford Coppola into a directorial force to be reckoned with. He would go on to direct Part II, The Conversation, Apocalypse Now, then a whole pile of shit.

Simonetta Stefanelli plays Michael’s first wife and has a delightful nude scene, if you’re into that sort of thing. If IMDb is to be believed, she was 17 when the film was released. If her scenes were done four months prior, she wouldn’t have been that. Ah, the benefits of shooting in Italy. Hey, look, there's old friend Sterling Hayden! Once again proving he's not afraid to take acting chances. The baby being baptized at the end was director daughter Sofia Coppola, who would prove to be a far better director than actress.

Make no mistake: these are not good people. They are not heroes by any measure, even if some will see them as such. But neither are their victims. It's bad on bad and one cannot feel sorry for any of the deaths. There is no pristine protagonist to rally around and you shouldn't try to find one.

At just under three hours with no singular storyline, The Godfather does not lag, never fails to keep you enthralled. I was totally wrong to ignore it for so long. It is one of those films that everyone says is great, and that is because it is great. Solid cast, great acting, great script, great cinematography, and incredible storytelling. It has crept into popular culture in so many ways, and it forever changed the genre and film making as a whole. I will never doubt a film recommendation from my wife ever again. AMRU 5.

"Leave the gun. Take the cannoli."

THX 1138 (1971)

In the future everyone is bald, wears white clothes, is required to take drugs, and cannot experience love. Do you see the dystopian future we are becoming? Are you sure? Do I need to beat you over the head some more? They have telephone numbers for names. The cops are automatons. Cameras watch everyone, all the time. Had enough yet? I could go on! Commercialism! Religious imagery! Ahhh!

George Lucas made a film while in college and somehow got his mentor, Francis Ford Coppola, to fund a big-time version of it. My Star Wars obsessed son had to watch it. He bailed half way through.

The story revolved around THX 1138 (Robert Duvall) who stops taking his pills and falls in love with his computer appointed roommate. They run around, stuff happens, he goes to "jail", there's this hologram who eats, and I don't know what else. The movie is a mess.

I will cut it some slack because it was really a low budget remake of a college film, but the story is heavy handed, hard to follow, and uninteresting. George Lucas directed only six feature length films, four being Star Wars. His legacy will be as a visionary writer and producer, but at best he directed only two good movies. Again, I'll cut him some slack and give this a 2.5.

"If you feel you are not properly sedated, call 348-844 immediately. Failure to do so may result in prosecution for criminal drug evasion."