Strait-Jacket (1964)

Lucy (Joan Crawford) is sent to an insane asylum after catching her younger husband in bed with another woman. She caught them with an axe. Twenty years later, she is released and stays with her daughter (Diane Baker), who witnessed the murder as a small child. Lucy has difficulties adjusting.

Baker is quite charming as Lucy’s daughter. She would appear in the Hitchcock film Marnie the same year. A young Lee Majors plays the philandering husband in his first credited role. His role was short and got shorter. Us oldies remember him fondly as Steve Austin, astronaut. A man barely alive. We can rebuild him, so long as we find the head. At 85, the dude is still acting. Maybe he really is bionic. George Kennedy pays a farm hand.

Two years after What Ever Happened to Baby Jane, Joan must have known she had no business being in this low budget schlocky thriller. But she had reinvented her career twice before by switching genres, so kudos to her for taking chances. Not sure it worked out all that well for her this time. She would appear in only four more feature films, ending with the amazing train wreck Trog.

And Crawford didn’t miss the opportunity to pitch product. A six-pack of Pepsi is conspicuously visible in one scene and the role of the asylum doctor went to Michael Cox, Vice President of Public Relations for Pepsi-Cola. It is his only screen credit.

Strait-Jacket is no better of a production than any other William Castle film, but lacks the playful nature of his earlier work. Crawford puts in a full effort, but the material lets her down. And if you didn’t guess the twist during the first act, you weren’t paying attention. AMRU 2.5.

The Tingler (1959)

A pathologist (Vincent Price) is doing research on fear. He notices that the spines of executed criminals are split open leading him to believe that terror, not the electric chair, is what kills them. When the deaf mute wife of a theater owner dies unexpectedly, he x-rays the body and discovers the culprit: The Tingler! He cages the creature for further research and determines that a) everyone has one of these in their bodies and b) you can keep them from killing you by screaming.

The Castle-gimmick was that some of the theater seats were wired to give the occupant a shock at appropriate times during the film. Presumably the appropriate time was when the tingler escaped into the theater (the one in the movie), they cut the house lights, and Price tells everyone to scream or else the tingler will get them. That might have worked.

Here's something cool. The movie is in black and white except for one of the scare scenes, where the blood is red. The effect worked but it kinda makes you wonder why they didn't film the whole thing in color. Also, the actors playing the young couple actually got married (kinda cool) then divorced (not so cool). The actors playing the older couple (the theater owners) both died eight years later in May of 1967 (totally uncool). The creature itself was modelled after a Velvet Worm. Wikipedia doesn't say if this species moves through the use of visible wires. Another interesting part is when the Price character wanted to feel fear (you see, he's super macho-brave and is never afraid), so he takes a hit of acid. The first time an acid trip was featured in a movie.

Typical William Castle. In a TCM Biography his daughter said of the film, the biggest obstacle for the actors was to not burst out laughing at the silly prop and absurd dialog. Typical Vincent Price rising above the source material. There was a background story about Price's philandering wife, or her sister dating his assistant (see above comment regarding a "young couple"), but it doesn't play much into the film except maybe to give Price an opportunity for biting dialog. A fair effort all-in-all. A well made, cheesy, B horror movie. AMRU 3.5.

"The tingler exists in every human being, we now know. Look at that tingler, Dave. It's an ugly and dangerous thing-ugly because it's the creation of man's fear; dangerous because... because a frightened man is dangerous."

Macabre (1958)

Townsfolk blame a doctor (William Prince) for the death of his wife. They say he was drunk. The dead wife's sister (daughters of the town's richest man) has also died young and the calls for 'oll Doc Barrett to head on out reach fever-pitch. Doc's daughter turns up missing then his secretary receives a strange call saying that she is with the dead and has five hours before she suffocates. The frantic search begins.

Everyone is a suspect. Is the motive revenge? Inheritance? Or ... no, it's one of them two, almost certain. Anyhow, details emerge and new questions are raised. The suspects include the doctor's secretary, his new fiancee, the cop (played all butch by Thurston Howell himself), the undertaker, the baker, the candlestick maker ... the list goes on.

This is William Castle's first gimmick-horror. A $1000 life insurance policy was given to every participant in case they died of a fright (and that does play into the story). I'm sure Lloyd's of London had no problems issuing such a policy as Macabre is almost entirely unscary. The story plays out as a who-done-it (or, more accurately, a who-doin'-it) and falls closer to mystery/thriller than horror, but let's not split hairs.

TMC ran a bio of he man then featured this gem. He finally got to make the kind of movie he wanted to and had to mortgage his house to do so. It was a huge hit. He would go on to make a host of cheesy money-makers that I will eventually see.

So, how does the mystery/thriller work? Well, it does keep you guessing, but in the end it'll leave true mystery fans unsatisfied. For me, I found it well worth the investment in time. AMRU 3.

House on Haunted Hill (1959)

Frederick Loren (Vincent Price), an eccentric millionaire, rents a spooky mansion to throw a party for his wife and five strangers. If they stay the night, they each will get $10,000, which was serious coin back in the day. The house was the scene of a brutal double murder.

The film opens with a black screen and a blood curdling scream followed by ghostly noises. We are left to our imagination. Next we see the disembodied head of Watson Pritchard (Eliza Cook, Jr.) who explains a little bit of the background. His brother was murdered in the house and since then he has owned it.

Loren's head appears next, explaining a little about the party. It was his wife's idea, but he chose the guests. With the simple turning of the phrase "She's so amusing", we have great insight into their relationship. Vincent Price was simply amazing. The guests arrive in funeral cars.

Carol Ohmart plays Annabelle Loren, Price's hot trophy wife. She's still alive.(Edit: Nope! Died in 2002!) Richard Long is hunky test pilot Lance Schroeder. Maybe you remember him from Big Valley. I did. He died of multiple heart attacks at age 47. Alan Marshal is Dr. David Trent, a psychiatrist. Perhaps you remember him from guest appearances in 77 Sunset Strip and Surfside 6. I sure don't. He died of a heart attack at age 52. Julie Mitchum plays Ruth Bridges, a newspaper columnist. Perhaps you remember her as the sister of Robert Mitchum. That's probably the most interesting thing about her. This was her last film. She lived to the ripe old age of 88, outliving her baby brother by five and a half years. Carolyn Craig is Nora Manning, a young office worker. Isn't she pretty? Perhaps you remember ... no, you don't. Trust me. She died at 36 from gunshot wounds.

Director William Castle (dead of a heart attack at age 63) loved gimmicks. When shown in theaters, a skeleton would fly across the cinema at a critical point. That aside, the film had enough gimmicks on screen. Scary hands from behind the door, pianos playing without anyone at the keys, scary people jumping out at you. Matinee (1993) was based on him.

So, what is going on? Is Loren trying to kill the Mrs, or the other way around? Are there really ghosts like Watson Pritchard keeps saying, or are the spirits haunting him the bottled kind? Is Lance Schroeder trying to find out what's going on, or is he trying to get into Nora's pants? And maybe the Mrs. Lorens too? While the movie works the second time around, the story in large part doesn't, but that's ok. The atmosphere is great and the dialog is sharp. It's a fun movie.

Here's what doesn't work. The exterior of the house is about as un-haunted house looking as possible. A Denny's looks scarier. The Frank Lloyd Wright abomination was 35 years old at the time. Even worse, there's a scene at the beginning where you see downtown Los Angeles in the background. Thank god the majority of the film is interiors.

Nora Manning, who works for Mr. Loren, was invited because she needed the money. Or so he says, but maybe was was intended to get the Mrs. jealous. Her acting was horrible. She plays the young woman who is frightened of everything. Not a tall order. To watch her struggle and do it standing next to Price was plain weird.

A little silly, yes, but watchable, interesting, and fun. I could say it's AMRU 5 because I did buy it, but that's only because it cost a buck. How did this film end up in the public domain? I love Haunted Hill, flaws and all. One of the best B horror films. AMRU 4.