The ghost of the bayou ferryman, executed for a murder he did not commit, haunts the swamp. Before he died he cursed everyone responsible and their descendants. When people turn up strangled, the old wives know who is responsible. Pretty and strong willed Maria, grand daughter of a strangled, returns to her old town to take the now vacant job of ferry-person. She doesn’t buy into any of this superstitious nonsense. Know who else doesn’t? Young Chris (Blake Edwards - Yes, THAT Blake Edwards) who also returns to town and strikes up a fancy for pretty and strong willed Maria.
The entirety of this no-budget thriller takes place in three locations: The ferryman’s cabin, the ferry itself, and rich Chris’ rich dad’s fancy house. They spoke of other places, but we don’t get to see them. Sets cost cash, you know. Blake Edwards used to be an actor, apparently. He did a lot of uncredited background work before becoming one of the best writers in history. Charles the Merciless Middleton played the haunted ferryman.
Short and atmospheric, Strangler of the Swamp isn’t bad for what it is. What it is, however, is somewhat dull and predictable. AMRU 2.5.
Showing posts with label Blake Edwards. Show all posts
Showing posts with label Blake Edwards. Show all posts
Friday, November 9, 2018
Saturday, November 28, 2015
Breakfast at Tiffany's (1961)
A struggling writer (George Peppard) with a rich, married girlfriend (Patricia Neal) moves into a fashionable New York apartment. There he meets the confounding Holly Golightly (Audrey Hepburn).
Here is a story of two damaged people getting involved with each other. Neither know where they are going, or really where they are. Holly lives "paycheck" to "paycheck" with strange arrangements dating older men. And visiting mob bosses in jail. Apparently she was a prostitute but the movie makes this unclear. Peppard's Paul is both supported and stifled by his relationship with Neal, as well as his own indirection. Holly is a breath of fresh air, but also a disturbing element of chaos in his life.
Neal's "much older woman" was only three years older than Hepburn. Ten years earlier she shined in The Day The Earth Stood Still. The Golightly character, according to the source material, was supposed to be 19, which would give a real pervy vibe to 33 year old Peppard. Wait, Truman Capote wanted Marilyn Monroe to star? That wouldn't have worked!
Hey, Alan Reed (you know, Fred!) is here in the flesh. Buddy Ebsen, in his early fifties, was looking to retire after this movie. Instead he ended up doing nine seasons of The Beverly Hillbillies and eight more of Barnaby Jones. He was north of 90 when he did an episode of King of the Hill. Side fact: he played Barnaby Jones in the terrible Beverly Hillbillies movie.
Breakfast at Tiffany's is a wonderfully shot, acted, and scripted film. It looks and sounds charming, while being biting social commentary of the day. The city is gorgeous, Hepburn is absolutely charming, and it's slow burn pacing is just about perfect. It isn't without faults however. Most notably is Mickey Rooney's destruction of Japanese dignity. Also, I didn't care for the tacked on Hollywood ending, but I suppose most people didn't mind. AMRU 4.5.
Here is a story of two damaged people getting involved with each other. Neither know where they are going, or really where they are. Holly lives "paycheck" to "paycheck" with strange arrangements dating older men. And visiting mob bosses in jail. Apparently she was a prostitute but the movie makes this unclear. Peppard's Paul is both supported and stifled by his relationship with Neal, as well as his own indirection. Holly is a breath of fresh air, but also a disturbing element of chaos in his life.
Neal's "much older woman" was only three years older than Hepburn. Ten years earlier she shined in The Day The Earth Stood Still. The Golightly character, according to the source material, was supposed to be 19, which would give a real pervy vibe to 33 year old Peppard. Wait, Truman Capote wanted Marilyn Monroe to star? That wouldn't have worked!
Hey, Alan Reed (you know, Fred!) is here in the flesh. Buddy Ebsen, in his early fifties, was looking to retire after this movie. Instead he ended up doing nine seasons of The Beverly Hillbillies and eight more of Barnaby Jones. He was north of 90 when he did an episode of King of the Hill. Side fact: he played Barnaby Jones in the terrible Beverly Hillbillies movie.
Breakfast at Tiffany's is a wonderfully shot, acted, and scripted film. It looks and sounds charming, while being biting social commentary of the day. The city is gorgeous, Hepburn is absolutely charming, and it's slow burn pacing is just about perfect. It isn't without faults however. Most notably is Mickey Rooney's destruction of Japanese dignity. Also, I didn't care for the tacked on Hollywood ending, but I suppose most people didn't mind. AMRU 4.5."I've got a wonderful idea. We can spend the whole day doing things we've never done before. We'll take turns. Something you've never done, then me. 'Course I can't really think of anything I've never done."
Labels:
1961,
AMRU 4.5,
Audrey Hepburn,
Blake Edwards,
Mickey Rooney,
Paramount,
Patricia Neal,
Truman Capote
Tuesday, August 30, 2011
The Pink Panther (1963)
Hot Princess Dahla (Claudia Cardinale) owns one heck of a jewel. She is on vacation and brings it along. Famed jewel thief Charles Lytton (David Niven) takes an interest. Charles' playboy nephew (Robert Wagner) arrives to complicate matters. Inspector Clouseau (Peter Sellers) is on the case.A while ago I got my boys interested in Clouseau. We watched the 1970's slapstick movies and even dabbled in the crappy 1980's versions before Netflix saw fit to take them away. They became fans. I thought I might be able to convince my boys to see the somewhat drier original. Two out of three, not bad.
Here are some funny facts: Clouseau had a wife (Capucine), there was no Cato, no Dreyfus, no silly accent. Or at least, not over the top. Much of that came with A Shot in the Dark, which came out three months later and wasn't supposed to be a Clouseau movie to begin with. More on that after I see it.
Actually, The Pink Panther wasn't supposed to be a Clouseau movie. The story centered around Lytton, but Sellers, quite literally, stole the show. Niven thought this could turn into a series of movies for him, much like The Thin Man. Interestingly, Niven played a Nick Charles parody in Murder by Death, also starring Peter Sellers.
Well made and slapstick in it's day, but in a time when a pie in the face is considered understated, it can be a little slow to the younger viewers. That said, A Shot in the Dark won't be too hard of a sell to the boys. For two of them, anyways. AMRU 3.5. Mmmmm, Elke Sommer ....
Labels:
1963,
AMRU 3.5,
Blake Edwards,
Comedy,
David Niven,
Peter Sellers,
United Artists
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