House of Frankenstein (1944)

Or, Frankenstein Meets the Wolf Man 2.

Not really, but almost. The evil doctor Niemann (Boris Karloff) and his faithful assistant Igor ... I mean Daniel (J. Carrol Naish) escape from prison, commandeer a travelling circus, and head for Visaria in order to take up the good doctor Frankenstein's work. Said circus also happens to feature the bones of Dracula (John Carradine), which if you take the stake out, his evil body reappears.

While searching for Frankenstein's notes in his demolished mansion, they stumble across the body of the Monster (Glenn Strange) and the Wolf Man (Lon Chaney Jr). Stop me if you heard this one before. Anyhow, Niemann promises Daniel a proper body so that he can woo this hot gypsy chick, promises to keep Dracula's coffin safe during the day, and promises Wolfie that he will kill him. Instead, the douche, he totally uses his new circle of friends to work on his real project: getting the monster back to full strength and killing the people who sent him to prison. And what would a Frankenstein flick be without Lionel Atwill in there someplace. Once again, he plays an inspector.

So, Karloff took a break from Broadway to appear in the movie, but apparently Lugosi wasn't free. Seems he took up Boris' role. Therefore, Carradine becomes a lackluster Dracula. And speaking of which, what, was he in the movie a whole four minutes? The only reason I can imagine for his appearance is to make the movie poster more crowded with monsters and to introduce him for the next movie. I understand there was a thought to include The Mummy as well, but that would have been ridiculous.

A few interesting points: As this movie mostly takes place in "Visaria", which sounds like "Vasaria" where Ghost Of was set, the evil doctor house is that of the other brother's, and he was the least evil of all the Frankenstein's. Nobody from the actual family appears, unless you count the Monster. George Zucco had a small part as the circus owner. I had to go online to find out what role he played. It was all too brief. And, Chaney, Strange, and Naish all died in 1973. Chaney and Naish's collective last movie was the schlocky Dracula vs. Frankenstein, which I totally have to watch.

Thirteen years after the advent of Universal's reign as the king of horror, we are seeing their demise. The appearance of a large, slow moving creature isn't enough to scare audiences anymore and compensating with a monster mash has limited appeal. There is one more, however, but I will explore that with the Dracula line. Eventually.

Despite this, I actually found House Of to be a bit of a rebound for the franchise. It was fun. Doesn't touch the early work, but every bit as good as Son Of. AMRU 3.5.

Frankenstein Meets the Wolf Man (1943)

Grave robbers rob the grave of Lawrence Talbot (Lon Chaney Jr.) and find his corpse covered with wolfbane. When they remove it, he awakens, transforms, and goes on a rampage. He awakes in a Cardiff hospital. They think he's crazy because he claims to be a dead man.

He escapes to find the gypsy woman (Maria Ouspenskaya) who's son he killed in his last film. She'll help him! She tells him to find the mysterious Doctor Frankenstein! If anyone knows the answer, it'll be him. So, off they go, to see the wizard, the wonderful wizard of ... oh, I'll say Vasaria.

Well, Frankie's dead so Larry chugs through the ruins of Castle Frankenstein (which I guess is the mansion from Ghost of) looking for the the late doctors notes, and finds the monster, himself (Bela Lugosi, why not, it was his brain). Frozen in ice. Of course he's still alive. Can't kill a good monster.

So, Larry meets up with the Baroness Elsa Frankenstein (Ilona Massey) who now sports a German accent. Into the mix is the dashing doctor Mannering from the Cardiff hospital and Lionel Atwill as the mayor. Larry convinces her to show the location on her dad's notebook in hopes of finding a way to drain the life from his body. You see, Larry wants to die.

The image of the monster, stumbling around with out-stretched hands is from here. You see, the monster was supposed to be blind. That happened at the end of Ghost of, but they forgot to mention it here. Also, the monster could talk but all of his lines were cut. Go figure.

They swapped actresses for Elsa Frankenstein, but for a good reason. Evelyn Ankers from Ghost of also played Talbot's love interest in The Wolf Man. That would be just weird. Weirder still was the idea of trying to have one actor (Lon) play both lead monsters. That idea was thankfully scrapped.

So, the long slow decline of the Frankenstein franchise continues. Certainly not unwatchable, but disjointed and not as interesting as the previous efforts. AMRU 3. And, yes. Elsa Frankenstein does meet the Wolf Man.

It's a Gift (1934)

Harold Bissonette (W.C. Fields) is a hen-pecked grocery store owner who aspires to own an orange grove in California. He gets that opportunity when a rich relative dies.

That's all we need about the story. Mostly, it's a vehicle for Fields' comedy and the story is secondary. Considered to be his best movie, I have to say that fact doesn't motivate me to seek out much more of his work. What was funny, was funny, but the bits that failed, were tedious. In one scene Fields' character is trying to get some sleep on a porch swing and is constantly interrupted by neighbors, milk men, insurance salesmen, and Baby LeRoy. That's a scene that could have been shortened by about a century.

Speaking of LeRoy, how did this three year old get star billing? Who's idea was that? Hard times indeed when you are washed up in Hollywood by age four. I didn't expect Fields to be dominated by an overbearing wife. That wasn't my image of him. Well, I'm not going to spend a lot of time with this one. I liked the parts I liked and it was nice to see a W.C. Fields movie, but overall, AMRU 2.5.

Norman: What's the matter, Pop? Don'tcha love me anymore?

Harold: [he raises his hand to hit Norman] Certainly I love you.

Amelia: Don't you strike that child!

Harold: Well, he's not gonna tell me I don't love him.

The Ghost of Frankenstein (1942)

The villagers aren't satisfied with the destruction of the monster. Now they want to destroy the castle and kill Ygor again (apparently a broken neck and several bullets to the body aren't enough to kill him). Ygor (Bela Lugosi) runs to the laboratory while the castle is being destroyed and discovers the body of the monster (Lon Chaney Jr, this time) still living, encased in sulfur. The monster is weakened but they escape the destruction.

Ygor and his pal decide to make their way to another village where the OTHER son of Frankenstein lives, who apparently lives in Pemberley. Ludwig Frankenstein (Cedric Hardwicke) is a brain specialists. What is it with these people? Anyhow, Ygor decides to blackmail Ludwig into recharging the Monster's batteries, promising to tell everyone of the dark family secret. How the misadventures of the Frankenstein family could still be a secret by the forth movie is a mystery to me.

Anyhow, Ludwig agrees to hear him out and is desperate to isolate his comfy life from the family curse. But this Frankenstein isn't so eager to dabble in the black arts, even though brains is his specialty. Instead he decides to destroy the monster. His colleague, Doctor Bohmer (Lionel Atwill) sees this as murder and refuses to assist. Back story: Dr. Bohmer's scientific reputation was apparently ruined when an experiment went wrong. Sorry, no details other than that.

Then Ludwig gets an idea! What if he put the brain of a recently deceased nice person into the monster's body? That would solve everybody's problems! No more reckless monster. And what luck! He happens to have a dead assistant conveniently lying around with a perfectly good brain. Ygor has a better idea. Put HIS brain into the monster! Then Ygor and Buddy can be one and the same! Frankenstein doesn't like this idea but Ygor convinces Bohmer to go along.

All in all, not a bad movie. Certainly every bit as good as Son of. The weakest part, of course, is old friend Creighton. On the surface he appears to be the perfect choice. Large frame, ugly mug, and bad in the verbal department. But Karloff showed that even when covered with makeup and limited to grunts, real acting skill shows through. Also, they looked much different. The other-worldly stare and hollow cheeks being replaced by Chaney's chubby face and half-baked eyes. This story centered around Ludwig and Ygor for obvious reasons.

Even though Atwill's character didn't die in the last one, he played a very different part here. Ralph Bellamy once again plays a cop in search of a monster played by Chaney. Apparently filming started right after The Wolf Man wrapped. Karloff didn't return because he was appearing on Broadway and had no interest in reprising the role. He would later have a role in House of.

One thing that might be missing is the Gothic scenery. The Evil laboratory, the creepy castle, the desolate grave yard. A lower budget made concessions and we have a nice house, a surgical operating room, and a courthouse.

One plot point has the monster befriending a small girl. This gave him a level of humanity to audiences of the day, but seemed a little creepy in this age. I'll leave that one right there. AMRU 3.5.

Un Chien Andalou (1929)

Young film director Luis Bunuel and artist Salvador Dali collaborated to make a film guaranteed to provoke. Supposedly artist and director carried rocks in their pockets at the premier to defend themselves if the audience hated the movie. To their disappointment, they liked it.

The movie was inspired by two images: Brunel's dream of clouds slicing the image of the moon like a razor slicing an eye, and Dali's dream of ants crawling on a hand. Yummy. The razor-eye scene is over in the first two minutes and only confusing images remain for the balance of the film.

There is no narrative. Just jarring, dreamlike images that bare little context. I won't attempt to describe them. At 16 minutes and available on netflix and here, you can watch it yourself. You can't understand it unless you see it. And, in many cases, if you do see it.

In fact, that was part of the point. According to the director, the intent was to include "no idea or image that might lend itself to a rational explanation". On that mark, I believe they succeeded. An interesting side note: the two actors, Simone Mareuil and Pierre Batcheff both ended their own lives. I'm sure the film does not bear the blame.

So, what to rate it? Can I say that the movie enriched my life or furthered my film education? Nope. But it's nice and short and a quick way to knock off a fairly influential movie. I'll give it a luke warm 3.0 and let you decide for yourself.

By the way, the title translates to "An Andalusian Dog" so, take that for what it's worth. Also, the eye being cut with a razor is that of a dead calf's.

Son of Frankenstein (1939)

Happy Halloween!

Well, I have to say not bad. I got four versions of Frankenstein in before the month's end. Still, there are many more, it would have been nice to do some of them. Maybe I still will. Let's see if I can't get this in before any monsters arrive. Too late!

Anyhow, Wolf von Frankenstein (Basil Rathbone) travels to the village of his father's to claim his birthright. In today's episode, that village is called 'Frankenstein'. Shouldn't be too hard to remember (it was called 'Goldstadt' in the first two films). Wolfie laments that people have taken to calling the monster by his surname. Sounds like someone I know. Wolfie, hot wife, and annoying child arrive by train and are greeted by less than hospitable townsfolk. He offers his condolences and tries to reassure them that they have nothing to fear, but they aren't buying anything. Neither are we.

The good people settle in their sparsely decorated scary castle in hopes of proving their good will, while the village council will have none of that. While strolling around his dad's partially destroyed laboratory, he meets Ygor (Bela Lugosi), who shows him his secret. That being his dad's monster (Boris Karloff), sleeping soundly, right in the middle of the room. Jeez, talk about being oblivious.

Seems Ygor and Monster have struck up a friendship. Monster trusts Ygor and "does things" for him. Nudge nudge, wink wink. But monster was struck by lightening and now all he does is sleep. Doctor, fix!

Lionel Atwill played Inspector Krough, the most memorable character after maybe Ygor. He seems to crop up in movies I am looking at, like the title character in Doctor X (anyone got a copy I can borrow?) plus three more Frankenstein movies, never as the same character. Between him and Dwight Frye (who was in four, maybe five Frankensteins), the franchise seems almost Star Trekian in how they recycle their actors. Frye is unconfirmed in Son of.

Anyways, back to Atwill. A respected stage actor had a successful screen career, but threw an orgy-christmas party one year and that ended everything for him. Watch Young Frankenstein and pay attention to the inspector who plays darts with Gene Wilder. That's Kenneth Mars doing a better than fair Atwill/Krough impersonation. Mars died in February. Remember him also as the Nazi screenwriter from The Producers.

A nod must be given to Bela. When his good roles are listed, Ygor is mentioned alongside Dracula and Murder from White Zombie. His crappy roles are too numerous to mention. Interesting to note that his hunch-backedness was actually two inches taller than the monster. A good job was done camouflaging that fact.

Rathbone will forever be remembered for the detective in the silly hat, but he also played in a large number of Horror movies, apparently not liking them much. His slow burn from reasoned outsider to bombastic scientist was the model for Gene Wilder's version.

It's annoying how significant details of the story are changed with each new version (Highlander anyone?) like the look and proximity of the laboratory, and the presence of a castle to begin with. And what's up with the empty castle anyhow? Props department closed that week? They used bare walls and clever shadows to express moods. Not sure it worked all that well.

Still, reasonable story, good acting, and a strong addition to the franchise. AMRU 3.5.

"One doesn't easily forget, Herr Baron, an arm torn out by the roots."

Bride of Frankenstein (1935)

The monster's name isn't Frankenstein. We know that, right? Just like Nick Charles isn't the thin man, the monster is known simply as the monster. Where did that misconception come from? Maybe from Bride of Frankenstein.

Now, the Barron DID have a wife but this movie isn't about her. It's about Henry trying to get on with his life when he is visited by another (non-dead) ex-professor. The mysterious Doctor Pretorius (Ernest Thesiger) arrives but the Barron (Colin Clive again) gets all passive-aggressive and sends him away. Apparently Pretorius is also on the quest to learn the secret of life and thinks it would be nifty if they could compare notes.

When Pretorius bumps into the monster (not dead as previously thought) while hanging around a crypt, he offers to make him a lady friend. Monster likes that idea. So, the monster kidnaps the bride of Frankenstein ... that is to say, the Barron's wife, and they coerce Henry into helping.

A couple things to note: Bride of Frankenstein is a comedy. All classic horror have moments of campyness and levity but Bride goes beyond that. Una O'Connor (my favorite ugly chick) looking up to see the monster standing behind her had distinct shades of Abbot and Costello. And the scene with the blind hermit was played at least partially for laughs.

Also, Dwight Frye, everyone's favorite Igor (never actually played a character with that name) returns. His character Fritz died in Frankenstein so this time his name is Karl. He also played Dracula's Renfield. Seems like his characters don't hang along all that much. In real life he died at my age. They got a new Elizabeth. Apparently Mae Clarke was having some serious mental difficulty at the time. Colin was rewarded with the younger Valerie Hobson. Her next project was as the wife of the title character in Warewolf of London.

Elements of Bride were actually taken from the Shelley novel. There was some talk about making the monster a lady friend but never acted upon. Also, the monster spoke in the book. In fact, he was a total bore. Karloff's monster spoke in short, choppy sentences. Fire bad!

Towards the end of the movie the Bride is unveiled, as a bug-eyed but still somewhat hot Elsa Lanchester with Marge Simpsonesque hair. Further confusing the name of the monster, Pretorius declares her the Bride of Frankenstein! Elsa also played Mary Shelley in an awful prologue where she introduces the story. Funny that an Elizabethan writer would introduce a story that includes telephones and electric lights.

Bride is one of few sequels that is regarded higher than the original (IMdb rates them both an 8), and certainly it's a classic work. But for my money, I like the original better. More serious treatment with some ambiguity about the monster's nature. AMRU 4.

"To a new world of Gods and Monsters!"