Tuesday, October 21, 2014

Peeping Tom (1960)

Would-be film maker works the less glamorous side of cinema while exploring his personal project: filming women's dying expression of terror. Spoiler Alert! He's the killer!

Ok, not much of a spoiler. There isn't any question starting from the opening moments. Peeping Top is a complex, layered film. The script, acting, and dialog are exceptional. Director Michael Powell crafts a wonderful film. We follow Mark Lewis through his career, his attempt of a social life, and his extra curricular activities.

Released the same year as Hitchcock's Psycho, it's hard not to draw comparisons. Both movies follow a socially awkward antagonist (with parent issues). But while Psycho was heralded as Hitchcock's masterpiece, Peeping Tom ruined Powell's career.

The film's reception was harsh in the extreme, and it was a commercial failure. Exactly why mystifies me. Was it more graphic, more sexually explicit, more upsetting than Psycho? Maybe marginally. There are elements of pornography, voyeurism, and prostitution. Maybe Norman Bates was more palatable villain than Mark Lewis. Maybe we liked Lewis, sympathised with him just a little too much. It took a decade for critics to reevaluate the film.

Peeping Tom is a well crafted, innovative film, that would hold up to a second viewing. It is not to be skipped. AMRU 4.
"I don't trust a man who walks quietly."

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