Wednesday, October 23, 2019

House (1977)

A schoolgirl learns that her father is remarrying so she runs off to stay with her dead mom’s sister. For some reason she brings along her schoolmates. Turns out auntie lives in a haunted house.

Did I think Suspiria was weird? Christ, where to begin.

The story itself isn’t unconventional, save for the fact that all the characters are Japanese schoolgirls in appropriate uniform. So, there’s that. The girls travel to the house, auntie behaves weird, people go missing, then things go off the rails. Standard haunted house fare. The difference lies in the mise en scene.

The schoolgirls are named for their primary trait: Gorgeous is slightly prettier than the rest, Fantasy … ummm … sees ghosts, Prof is smart and wears glasses, Melody plays the piano, Kung Fu knows karate, Sweet is sweet, and the fat one is called Mac. You know, short for stomach. She’s not really fat, just has a round face and wears loose fitting clothing. The girls were models with little or no acting experience, not that you can tell. They went on to do little else. Only Aunty was a real actor.

The settings and action in the movie are augmented by silly set pieces, backdrops, and cartoon-like animation and effects. It’s hard to take anything seriously, even when things get violent. And things do get violent. The effect is a surreal, otherworldly experience. While you can like the characters, you never become emotionally invested in them. And when you think you know what will happen next, you are wrong.

House deserves a second viewing. It is absolutely bonkers and becomes more comedic as it becomes more graphic. It is remarkable if only for how absurd it is. I don’t know if it’s a good film, but it’s a memorable one. AMRU 4. So, Mac is Dopey, Prof is Doc, Sweet is Bashful, Melody is also Dopey …

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