Stage producer Gordon Miller (Groucho Marx) is scamming the hotel where his acting troupe is staying, while trying to find a financial backer right up to opening night. The writer shows up to play the Zeppo character.
This is the first Marx Brothers film not specifically written for them, and it shows. Apart from a couple thrown in bits, there is very little of the Marx Brother style. No Margaret Dumont, and little verbal wordplay or insult comedy. They didn’t even give Groucho a funny name. But when compared to earlier films, it does have a more conventional story line. For a screwball comedy, that is.
The premise is that the play has no financier, the writer arrives looking for his payout, they’ve racked up huge bills, and the hotel is being audited. In other words, zany antics ensue. Lucille Ball has a sizable role, even if they give her little funny to say. Ann Miller appears for no other reason than to give the playwright a love interest. She was fifteen at the time. Why does this keep happening?
Room Service is a lesser Marx Brothers film, and the only one they did for RKO. I can’t say I laughed audibly at any time, but it is by no means unwatchable. Thank god they didn’t include a boring harp solo. AMRU 3.
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