I started this film years ago but for reasons lost to time I did not finish it. I remember that it was pretty long but a quick check on IMDb says it was just over an hour and a half. Not too bad, so I started it. I became suspicious when I hit the hour twenty mark and had yet to see a spaceship. Apparently there are many edits of this film and TCM ran the director’s cut, reaching almost three hours. I had a three day intermission.
Silent film storytelling takes a while to get used to and I don’t know I would have been able to appreciate this film when I first attempted it. Fritz Lang is a master storyteller at the height of his abilities. But man, the pacing. He needs to communicate that the disgraced professor is poor and disgraced. The angry protagonist is angry. The evil antagonist is evil. The lovely love interest is … lovely, I guess. And he does. But once he hits his message, he needs to move on. But no, he just keeps hammering the point.
Many characters are introduced but there are five or six main people. The crazy old professor is pretty crazy and the primary comedic element. The antagonist has a very Hitler feel about him. Gerda Maurus plays the object of affection that motivates the sub-plot. She was weird looking. In real life, she was having an affair with director Fritz Lang. But before you feel too sorry for his screenwriter wife, know that when Fritz fled Germany after the Nazi’s took power, she stayed behind to make propaganda films.
Women in the Moon appears to be the first ever in the ‘saucer and spaceship’ subgenre. It was well researched and got a lot of things right. It got some wrong, but hey, a lot happened over the next four decades. It is important and well made. But man, it could use a little tightening. AMRU 3.5.
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