Friday, June 24, 2022

Anastasia (1956)

A former Russian general (Yul Brynner) leads a team searching for the Grand Duchess Anastasia of Russia, or at least someone they can pass off as her. The royal family was executed ten years earlier and if a survivor could be found, ten million pounds would be in play. And maybe something more.

The film is based on the story of Anna Anderson, one of many pseudonyms of a troubled woman who claimed to be the Grand Duchess in the early 1920’s. While some details from her story are depicted here, the movie is mostly fictitious. Interestingly, during production the filmmakers learned that Anna Anderson was still alive and rushed to get her consent. In the end, no one remotely close to the Romanovs even considered Anna's claim (see quote), the body of the real Anastasia was positively identified, and DNA analysis finally proved Anna was not related. But back to the film.

This was Ingrid Bergman’s big return to Hollywood, so to speak. I touched on this when I covered Indiscreet and will once again recommend the video. Furthermore, she never set foot in the US as the entire production was produced in Europe. She was forty one playing the 27 year old Anna, and while that wasn’t a problem, it was noticeable. Yul Brynner played the Yul Brynner part. He would also star in The King and I and The Ten Commandments the same year and his career was off with a bang.

Here's an amusing side story: Actress Helen Haye played Ansatasia's grandmother in a BBC television adaptation and the producer instructed casting to hire her. They assumed a typo and instead hired the better known and less age appropriate Helen Hayes.

Hints are dropped throughout that Begman’s Anna truly is the Grand Duchess, but also of the problems with her claim. Or his claim, as she is a mostly unwilling (or at least resisting) participant in the General’s plan. And the ending provides some ambiguity on this matter. But for the most part, Anastasia provides the pomp and pageantry one would expect from a 1950’s 'A' picture from a major studio. Lavish sets, costumes, and an excellent supporting cast (including Mrs. Howell eight years before casting off). It holds your interest but I don’t expect it to stick in my memory. AMRU 3.

"I claim categorically that she is not Anastasia Nicolaievna, but just an adventuress, a sick hysteric and a frightful playactress. I simply cannot understand how anyone can be in doubt of this. If you had seen her, I am convinced that you would recoil in horror at the thought that this frightful creature could be a daughter of our Tsar."

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