Roger Corman directed eight Edgar Allen Poe adaptations in the early 1960’s and this was the most expensive, elaborate, and the last. It was the only one not to be filmed entirely on a soundstage. The shoot went long because of the British crew’s tea obsession. This is my thirteenth Price film so far, which is fewer than I would have expected.
I’ve dinged Corman over his focus on budget and profit over quality, but a great many industry people credit him with giving them their start and an opportunity to learn the craft. I can’t discount that. But I can say I don’t care much for the films he produces. And boy does he produce. He has over 440 feature film producer credits, including four in pre-production. But he wasn’t credited as producer on this one. A Brit was so he could earn a British subsidy.
As for The Tomb of Ligeia, it is what it is. The sets are on par with Hammer, the period dialog is a bit overdone, and the story, well, it is what it is. It will hold your interest but not capture your imagination. AMRU 3. Being a little generous, for Vincent’s benefit.
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