A Paris jewel thief (Charles Boyer) hides in the Casbah of Algiers, outside the reach of the authorities. There he is safe, but also a prisoner. He takes a shine to lovely tourist Gaby (Hedy Lamarr). Will love bloom?
It’s hard not to compare this film with Casablanca. There are many parallels. Exotic North Africa location, problematic love story, and elements of danger and intrigue. The later film was certainly inspired by the first. Warner Brothers even wanted Lamarr to play Ilsa but MGM refused to loan her. When Casablanca’s screenwriter tried to explain Casablanca’s plot, he finally exclaimed "Oh, what the hell! It's going to be a lot of shit like 'Algiers'!" The similarities are many but the differences are legion.
Old friend Alan Hale has a sizable role. I remember seeing him in a film when I was young and was convinced he was The Skipper. It’s too bad there never was an Alan Hale III in film and TV. Prolific character actor Gene Lockhart also lurks in the Casbah underbelly. Daughter June is pushing a hundred and still occasionally does voice work. Leonid Kinskey has a very small part. Some may remember him as Sasha in Casablanca, so there we go again.
Algiers is based on the French film Pépé le Moko from way back in the previous year. True to form, the producers tried to destroy every copy of the previous work. I tried to find a translation of the lead character’s name, but the best I could do was “Pepe the Moko”. The Looney Tunes character Pepe le Pew is based on Boyer’s performance.
While Casablanca is so much better in so many ways, let’s not lose sight of the fact that Algiers is not Casablanca. And Algiers is not a bad film. Some of the scenes are stilted and awkward, and the accents and poor audio quality made it hard to follow sometimes, but the story holds up well. It’s a fair watch, so long as you don’t keep comparing it to a vastly superior work. AMRU 3.
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